CASTING ANNOUNCEMENT! Jayson Stewart will be voicing the characters JACK and SENATOR OLYMPIUS in the podcast serial CONTINUUM FORCE.
"Continuum Force is an audio fiction podcast made in the spirit of Doctor Who, Star Trek and Stargate SG-1. It follows the exploits of an elite force of time travelers discover a terrible truth. The chronicles we've known may not be our past, it could have been altered, our memories changed and history itself set on a different path. They investigate these anomalies, travelling to different periods of our ancient past to stop the malevolent enemy trying to write a new chapter in humanity's story. They are our only defense, heroes of ages ago, today, and the Future. They are...the Continuum Force."
Stay tuned for details and where you can listen to the episodes!
When Jayson Stewart set out to make his first film, he didn’t expect it to reach the heights it had in just a few short months.
REZilience, which is categorized as an Indigenous zombie horror film, will be the first full-length film to come from Stewart as well as a first of its kind in what Stewart called a saturated market of zombie movies.
“It’s a unique story that people want to see on the big screen.”
Although filming for the full motion picture has yet to start, the 10-minute teaser that Stewart and his crew put together has gained them recognition surpassing the borders of North America.
Stewart, along with cast and crew, have lit up the big screen in Mexico and India, as well as parts of South America and Central America.
“It’s wild!” Stewart exclaimed.
“I did not think that the film would have any traction with film festivals because it is not a complete story,” he admits. “It’s only a snippet of a larger narrative. I submitted it with the hopes of getting one or two pickups.”
To date, REZilience has been picked up and shown 14 times and has won two awards. The film took home the bronze award at the Spotlight Horror Film Award in December and won the inaugural Larry Dohlstrom Northern Ontario Horror Short Award during last year’s Northern Frights Festival in November. Attached to the film is also a dozen laurels (nominations).
“Having those laurels attached to the shorts will only help solidify funding and interest from key players in the filming of the feature.”
He estimated funding to be around $300,000. Stewart said a few changes have been made to tighten the budget and cut a few costs.
Joining him on the film is Joyce Cyr, a producer/actor out of North Bay. Cyr, who is part of the Directors Guild of Canada, has worked on reality TV show’s the Amazing Race Canada Season 3, and Beauty and the Beast season 4, as well as features Suicide Squad and Kodachrome.
Cyr said she was impressed that REZilience had a new twist “on the usual zombie story.”
“I am also particularly pleased that we have a strong female lead character,” she said. “That is something that is in high demand right now.”
She added, “there is a clear demonstration of First Nations culture throughout the film using high-quality consultations for accuracy.”
“As a woman of Métis heritage, she adds a level of credibility,” Stewart explained. “Other than lacking an Inuit voice, it’s a model relationship of reconciliation. White director, Métis producer (and) First Nations cinematographer.”
Cyr said it was Stewart’s passion for the film that led her to teaming up with him.
“Jayson’s passion was the first thing that struck me, as well as his tenacity at marketing that passion every chance he got,” she said. “I heard his vision, read the script and realized that this was a project that I would be proud to be a part of. It is a very exciting project to be working on.”
According to Stewart, Cyr would be in charge of the budget and legal work, as well as bringing her own touch to the film.
Although nothing is set in stone at the moment, Stewart is planning on launching some fundraising initiative via a Kickstarter or IndieGoGo campaign, and a new website and budget to aid in applying for grants.
“It’s like expecting a child, but one you have been carrying for nearly a decade,” Stewart jokes when asked about future film dates. “We don’t have a date set yet. My hope would be to (film) the first three weeks of August.”
But if funding falls short, he said he may have to push the date back to August of 2018. The film will be shot 85% with local scenes with 100% of the film shot in Northern Ontario.
“We do have some reserve scenes that we will probably need to film in Sudbury as we need a medical lab and a corporate board room.”
When it comes to getting his crew established, Stewart has received letters of intent from a stunt coordinator, special effects makeup, a director of photography, a camera operator, and up to 30 zombies ready on standby. Stewart said he plans to use a small and tight “well-trained crew” once filming commences.
The trailer for REZilience, which starred Remington Louie and Douglas E. Davidson, can be found on YouTube. The film is dedicated in memory of Jessica Southwind-Holmes.
Northern Ontario filmmaker hopes to turn 10 minute flick into full-length feature filmBy Marina von Stackelberg, CBC News
A film about a zombie apocalypse on a fly-in First Nation reserve is garnering international attention.
The short film "REZilience" is currently playing at festival in four different countries and will be screening in Hollywood this November at the LA Skins Fest and the American Indian Institute Film Festival.
"We're touching on a whole slew of issues affecting First Nations, Inuit, and Metis people across this country through the lens of the zombie genre," said Jayson Stewart, a high school teacher from Espanola, Ont. who wrote and directed the film.
"Four characters have to work together and use their sense of identity to survive," he said, adding the film touches on everything from residential schools to the sixties' scoop.
Zombies and Indigenous cultureThere are many similarities that can be drawn between zombie flicks and current issues facing Indigenous communities, Stewart said.
"Zombies are symbolic of how society is just moving along and steam-rolling over Indigenous culture. It takes a select few to stand up and say. 'no more'."
While Stewart isn't Indigenous, he says many of his family members are Cree, and a majority of the students he teaches at Espanola High School in northern Ontario are Anishnabek.
The majority of the zombies in the film are members of nearby Sagamok First Nation, where most of the footage was shot this summer.
"It's important to have partnerships between indigenous and non-indigenous communities, especially when you can use art to pass along those messages," he said.
Stewart said if he can get the financial backing, he hopes to film a full-length feature next summer
By Jessica Brousseau, The Mid-North Monitor
Wednesday, September 21, 2016 9:35:40 EDT AM
Locally filmed, directed and written, REZilence is about to make its debut on the big screen.
It’s been more than a year since Jayson Stewart directed his first film, and it is ready for the public.
The teaser, which is just under 10 minutes, will have its debut at the 2016 Cinefest Sudbury International Film Festival on Sept. 24. The preview, which Stewart described as having a beginning, middle and a cliff hanger (as opposed to an end) was short listed as a finalist for the CTV Best in Shorts (short film) Competition.
In August of 2015, Stewart wrapped up filming REZilence, and in the past year he has been spent time editing what was shot at the Espanola air field.
“Now that we are in the festival circuit, once we start hitting a number of festivals, we are going to be doing public showings.”
When shooting, Stewart thought the short film was going to be “very tiny” production wise.
But with sponsors, grants and donations, he was able to collect roughly $17,000, which Stewart said the film was “much more sophisticated than what we intended it to be.”
A 1:22 trailer of REZilience was uploaded online to give a sneak peek at what Stewart and 120 others were creating.
“Originally, it was 22 minutes,” Stewart said, adding he found it too wordy with not enough action. “I broke the big rule. You show it, don’t say it. A lot was edited out.”
Stewart said it was hard to edit out scenes, not because of the script, but because of the time.
“To think that filming with a large crew, invading someone’s house and it ends up on the cutting-room floor.”
However, Stewart said the homeowner is familiar with the filming process. She was understanding that the scene shot at her home was cut out.
With the public showing of REZilence finally coming, it is time to start working on the full film. However, the script has yet to be finished. A regret of Stewart’s.
“The next step is to get the script done to work with Sagamok to see what their level or partnership is and what government grants are available,” explained Stewart. “Then (we) fill in the gaps to look at sponsorship and crowd funding.”
He is hoping the REZilence clip will help boost sponsorship and donations. The project is expected to take Stewart, cast and crew four weeks to film with a ballpark budget of $250,000 to $500,000. That covers payment of equipment, cast, food, editing and insurance.
“It’s a lot more expensive than people think. We didn’t have to pay for any of the locations.”
He laughs and adds the project will still “rely on the generosity of Northern Ontario.”
If he could get big-name actors, Stewart thinks they would be able to draw more attention to the film.
Remington Louie, who played one of the male leads in the short film, will be back to finish off his role Dwayne Peltier.
“I am super excited about working with jayson again,” said Louie. “It was a great experience and its great to be around people like him who are just unbelievable in everything they do, his work ethic and personality are unparallel and I just cant wait!”
Louie added working on REZilience, Stewart and everyone involved is something he wants to be a part of again.
“Everybody that worked on the film just blew my mind how they came together and worked well together, I cant even begin to explain an experience like it.”
As to who will play the lead female, Waneeka Sainte-Marie, is unknown, but Stewart does have an idea of who he would like to cast, hoping for the current Miss Universe, Ashley Callingbull.
“She would be fantastic,” Stewart gushed, “as someone who used her crown to call out Stephen Harper and demand change for Indigenous people is incredible.”
But for now, Stewart said they will be working on the script in hopes they can start filming for August of 2017.
The Mid-North Monitor asked Stewart, as a father, whether this is a movie that parents should bring their children to see. While he is unsure what the exact rating of the film would be, he wouldn’t recommend bringing any little ones to the screening.
“There are some f-bombs and some blood and gore. The feature would be higher rated. It would be darker and nasty while telling a compelling story.”
He added it is “less gruesome than what you see in the Walking Dead.”
After Sudbury, the short film will be viewed in North Bay during the Northern Freights Festival. Come 2017, Stewart is looking at holding public viewings.
REZilience is about a man named Victor “Doc” Murdoch who is training a young pilot, Peltier, to fly an illicit plane route to haul contraband materials out of Serpent Lake Reserve. But, a military experiment gone wrong has the pilots in a land overrun by the undead.
Wednesday, June 8th, 2016
Adam Killah and Heather Dahlstrom, both with the Cultural Industries Ontario North (CION) gave a presentation to Espanola High School students about jobs in the filming industry.
How many people does it take to make a movie? If you look at the credits at the end of a movie you will see it takes more than 100 people.
Espanola High School (EHS) teacher and actor, Jayson Stewart brought Heather Dahlstrom and Adam Killah to talk to the students about jobs in the film industry that expand past the roles of actors, producers or directors.
“The movie industry has grown over the past few years in leaps and bounds in so many different ways; and there are jobs out there for you,” said Stewart. “Not just as actors, but in construction, transportation, catering, all the trades are represented plus other jobs you might not even consider.”
Dahlstrom, who has worked on films such as Silent Hill, Empire of Dirt and Max Payne, is a reporting supervisor and fi lm programmer for Cultural Industries Ontario North (CION), and Killah is the marketing and communications officer at CION.
“We have very different experience and education, but we work in the same industry,” Killah told the students. “To be involved in movies is not just the filmmaker or the actor. You see credit roles at the end of any movie or TV show you have ever seen, there are only so many actors. Most of those people are behind the scene.”
It’s a job that pays well, but it comes at a high demand. “These people make so much money and they do because it is hard,” said Dahlstrom. “In the film industry, you work between 12 and, the longest day I have ever worked was 21 hours; and believe me, I would have given back my pay check just to sleep.”
Dahlstrom described the crew working on a film as a puzzle, with each person fulfi lling their key role to make it successful.
“If you’re missing a piece you are never going to finish the puzzle,” she said. “So, if your costume designer doesn’t come to work that day, no one will know what to put on the performers.”
Having worked in the film industry for almost two decades, Dahlstrom said there are “so many little jobs” and that “people get paid to go shopping for film” referring to the clothes, sets and props.
While she is heavily experienced now, she does admit she struggled breaking into the industry because of her gender.
“It was very different. I couldn’t do certain things because I was a girl.”
Starting in 1999, she got her foot in the door by working in a shipping department with her goal to become picture editor. “I just kept proving to people that I could do things, and eventually I got more responsibility,” she said adding it is not as common of a problem as it once was.
If people are interested in seeing how hard the film industry is, Dahlstrom recommended being a backgrounder or extra in a film.
“If you’re interested (in a career in film) figure out what skills you are good at,” said Killah. “If you’re good at math we need you. If you really like customizing cars there is a transportation department.”
One student asked if graphic designers could get into the industry, prompting Killah to say graphic designers are successful. “We can conceptualize skills, but we are not hands on,” he said. “They are building the sets in their heads, but we need the hands-on skills to create it.”
Dahlstrom said she hopes to get more films made in Northern Ontario. Last years, six films were made in the north.
“We have beautiful locations up here,” she said. Prior to wrapping up the presentation Stewart, who is also going to be featured in an Eastlink TV show as a Russian mafia boss in 14 Keys, played three trailers that have a connection not just to Northern Ontario, but to Espanola.
Born to be Blue, which featured the local bowling alley Venture Lanes, The Lesser Blessed, featured a scene of EHS students and The Lost Warriors was filmed by an EHS graduate.
But is film school necessarily the only way to get into the field? Dahlstrom doesn’t think so.
“I keep telling people you don’t have to go to film school to do this stuff,” she said. “Graduate high school, it makes your life so much easier.”
After After months of preparations, the filming of REZilience has come to an end.
From Aug. 4 to 7, Jayson Stewart has been surrounded by a cast and crew as he began directing his first film.
The big scene, which called for roughly 60 zombies, was filmed at the Espanola airfield. The Mid-North Monitor caught up with Stewart as he began preparing for the final shoot that night.
“It’s been wild!” he said.
Like most events or productions bumps and hiccups occur, which Stewart said had happened with last minute drop outs. However, the film gods were in favour of Stewart and all vacant spots were filled.
“Fake it until you make it,” he joked as he prepared dinner for his crew. “Working with people who know what they are doing on the same set as people who have no clue is a challenge. But at the same time it affords you a lot of training opportunities.”
Filming had taken longer than he anticipated, saying it was due to losing key people in the grip and gaffer (lighting and electrical).
The loss lead to crew members taking up more responsibility on set. He had joked that you wouldn’t normally see a producer making food, or his camera operator looking after the lighting.
“Lighting has taken up most of our time,” he explained. “With it being night shots, there is a lot to light and (there) is no natural light out here.”
Stewart commended his crew, saying they have been incredible and pulled beyond their weight.
Tents and trailers were on set, which provided some sleeping arrangements for cast and crew.
Remington Louie, the lead actor from Winnipeg, had spent the night before in a trailer on the airfield.
“The country side is gorgeous,” said Louie. “I don’t know if you been to Winnipeg, (but) it doesn’t look like this.”
Louie, who just finished filming Road of Iniquity, wasn’t the first actor cast as the character Dwayne, but fate intervened when the first actor had to drop out, and Stewart contacted him four weeks ago.
“He contacted me about coming out here because something happened,” Louie explained. “It was short notice, but here I am today.”
Louie said the script and the concept of the story are “awesome.”
“The metaphors he is trying to incorporate into it is fantastic,” he said.
Lending a hand for the film were some experts who shared their knowledge and skills to create a realistic short film.
Eddie Jeanveau spent the week creating authentic sounds for the film. For example, he recorded the zombies making sounds so the actors voices were in the film rather than a stock sound.
While Stewart worked on getting dinner ready, Patrick Gervais was on site preparing to make the scene gory with special effects. Chantelle Bowerman and Alysia Topol were two of the creative masterminds responsible for transforming the actors into the walking dead.
The Espanola Flying Club allowed Stewart to find the location shot in “his backyard.”
He said the location is prime for filming as there had been no disturbances throughout the processes.
Once filming wrapped up early Saturday morning, it was time for Stewart to take a break from REZilience.
“I’m taking August off for my family,” he said, adding they had come out to visit him on set.
The next project he works on will be a more private one as he celebrates his anniversary with his wife.
Come September, he will be back in the arms of REZilience to finish the post-production of the film. Afterwards, he plans to shop the short film around to gauge interest and hopes to set up a public viewing.
At the cold, undead heart of REZilience is a social conscience.
Jayson Stewart is director of what's billed as the first ever First Nations zombie movie, a feature about a handful of survivors trying to escape an outbreak, caused by an evil corporation, at a fly-in reserve up north.
REZilience will deliver more than enough guts and gore to satisfy fans of the genre, Stewart said, as well as a strong socio-political message.
"For those who like action, there's going to be a lot of action, for those who like zombie movies, yes, there will be gore, and for those who like character-driven films, you get very invested in these four characters and in wanting them to survive and to pass on this knowledge as they uncover it, so there's also the thriller side of it, too," said Stewart, a schoolteacher and head of Laps in Judgement Films, which begins shooting a proof-of-concept in the Massey area next month.
"But the big thing is it's also a political story, too. There are many layers to the story, even something as simple as the villain's name, Duncan Scott, who is the CEO of the DCS Group."
That's a reference to Duncan Campbell Scott, Canada's first Indian Affairs minister, who in his day advocated for the assimilation of First Nations peoples.
"The was one of the main authors of the Indian Act, which is seen worldwide as a racist piece of legislation that needs major, major work, if not dismantling entirely," Stewart said. "So we're hitting on those issues of colonization, of poverty, of loss of identity, but also the beauty and power of indigenous culture to be resilient, for language to come back and for culture to be something that shouldn't be shunned or hidden, but should be celebrated, and in this case, there's a twist where that culture actually saves their lives."
Stewart came up with the idea a few years ago, "when a writer friend and I were just bantering back and forth, throwing out as many crazy story ideas as possible.
"We never thought we'd pick up on one that could actually be worked on."
But he eventually got serious about the story and on Aug. 4, he'll join the cast and crew to film the proof-of-concept – roughly, the first 20 minutes of the film – at the Massey airfield and other locations in the area.
"We hope to market this to producers who would pay big bucks for the whole feature," Stewart said.
"Our thought on that, too, was even if we didn't get a producer interested in the whole piece, maybe we could do it as an online serial, which is becoming more and more popular, or like a miniseries-type of idea, but I think there's going to be enough interest here that we will be able to do a full feature."
Much of the film will take place in the fictional community of Serpent Lake, home to about 350 people and unfortunately, chosen by DCS as an ideal test location for a biological weapon meant to neutralize a large population by paralysing and knocking them unconscious for a period of time.
While the corporation has tested the weapon at other out-of-the-way locales, such as villages in the Congo or Latin America, its effectiveness in colder climates is unproven – hence the focus on Serpent Lake.
"What they don't realize is there's something about First Nations DNA that is susceptible to this pathogen and it paralyses them and knocks them unconscious, but the paralysis goes deeper and it paralyzes the heart and lungs, which they had never seen anywhere else," Stewart said. "And beyond that, it actually brings them back from the dead.
"Now, you have a population that's almost entirely zombified in a contained area, a far Northern reserve, surrounded by hundreds of miles of rugged bushland to get to the nearest community. There's no communication in and out, because they had paid someone internally to sabotage the only communication system they had."
It's in that situation that the lead character, Dwayne Peltier, played by 27-year-old Winnipeger Remington Louie, and aging bush pilot Victor (Doc) Murdoch, portrayed by Sudburian Douglas Davidson, find themselves at the start of the story.
Yet to be cast as major characters are a strong, young First Nations woman who has been away for medical training, a police officer steeped in traditional culture, and his brother, a local thug and drug dealer who "is an antagonist, a villain at first, but you'll grow to love him."
Most actors in the film, including the zombies themselves, are Aboriginal.
Stewart is not of First Nations heritage himself and admitted to initial fears he would be charged with cultural appropriation.
"I'm very cognizant and aware and respectful of that," he said. "Fortunately, I have brought on so many people who are Chippewa and Mohawk and Ojibwe and Cree and Kootenay, so I could rely on them and if ever it seemed like I was going astray or had a lens that wasn't respectful, that they would rein me in. And fortunately, they haven't had to do that, because maybe it's just in my DNA to be respectful and celebratory of all the people involved."
In fact, the biggest donor to the project so far has been the Sagamok Anishnawbek First Nation, located near Massey.
"They came forward with a $10,000 contribution, so that makes them one of our producers," Stewart said. "Not only did they love the concept and the story and they loved the number of their own community members who are part of it enough to give 10 grand, but just their support of it, legitimizes it. Any worries I had about cultural appropriation were kind of erased when they gave their stamp of approval."
For more information, visit www.judgementfilms.com.